11 March 1997
Stenhammarsalen, Göteborgs Konserthus
Víctor Varela |
– Ols (world première) |
Witold Lutoslawski |
– Buccolics |
Petr Eben |
– Lieblose Lieder |
Åke Hermansson |
– In Sono |
Kent Olofsson |
– Flutes and Cymbels for Cybele |
Krysztof Penderecki |
– Cadenza |
Review in Göteborgs-Posten March 13,
1997 
A relaxed orgy of sound, Eric Rusch
”... It is never pretentious or inflicted. There are no pointers,
only a genuine interest
in interpreting and performing new music.
In addition Gageego! does it well ...”
20 April 1997
Stenhammarsalen, Göteborgs Konserthus
Edgar Varèse |
– Density 21.5 |
| – Octandre | |
Rolf Wallin |
– Drei Gedichte von Rainer Maria Rilke |
Anton Webern |
– Konsert für neun Instrumente |
Gerard Grisey |
– Stèle |
Martin Matalon |
– Monedas de Hierro |
29 September 1997
Hagakyrkan, Göteborg
Bernd Alois Zimmermann |
– ... an den Gesang eines Engels |
Marshall Bialosky |
– Two Songs |
Lars-Åke Franke-Blom |
– En sommarglansfull röst |
Andras Szöllösy |
– 100 bars for Tom Everett |
Petr Eben |
– Lieblose Lieder |
Review in Göteborgs-Posten October 1, 1997
Gageego!'s variability surprises as usual, Håkan Dahl
“Gageego! is by far the most
exciting ensemble
for new music in Gothenburg…”
29 October 1997
Mölndals konsthall
Skolkonserten |
– Hur låter en banan? |
22 November 1997
Norrtullskolans aula, Växjö
(Also 18 January 1998, Stenhammarsalen, Göteborgs Konserthus)
Fredrik Österling |
– Nature morte |
Béla Bartók |
– Kontraste |
George Crumb |
– Vox Balaenae |
Arnold Schönberg |
– Kammarsymfonie opus 9 |
| (arr Anton Webern) |
Review in Smålandsposten November 24, 1997
The classics of modernism on a high artistic level, Ladis Müller
“The best musical performance of this year, on a very high artistic level,
played with great spontaneity and personal feeling.
The chamber music
ensemble
with the peculiar name Gageego! from Gothenburg …”
Review in Göteborgs-Posten January 19, 1998 
Gageego! gave the audience something quite special, Håkan Dahl
“… There was of course a storm of applause after each piece in the
programme
and it has seldom felt more justified than on this evening.”