17 January 1999
Stenhammarsalen, Göteborgs Konserthus
Claude Debussy |
– Sonat |
Heinz Holliger |
– Sequenzen über Johannes 1:32 |
Víctor Varela |
– Axle-asimétrica 2 (world première) |
Toru Takemitsu |
– And then I knew 'twas wind |
George Crumb |
– An Idyll for the Misbegotten |
Review in Göteborgs-Tidningen January 18, 1999
Gageego! reflects the 20th century, Margaret Myers
“Gageego! Yes! An exceptional ensemble ...!
”... the local community can be proud of the fact that
Gageego! comes from
the western part of Sweden!”
Review in Dagens Nyheter January 20, 1999
It is time again for the power of the harp (author unknown)
“The new contemporary music ensemble in Gothenburg
in their own brilliant concert series …”
24 January 1999
Börsen, Göteborg
Carl Nielsen |
– Barnene spiller |
| – Tro og håb spiller | |
| – Taagen letter | |
Toru Takemitsu |
– And then I knew 'twas wind |
Claude Debussy |
– Sonat |
31 January 1999
Lerums Kyrka, Lerum
Carl Nielsen |
– Børnene spiller |
| – Tro og håb spiller | |
| – Taagen letter | |
Paul Hindemith |
– from Sonat opus 2 nr 5, |
| Lebhaft aber nicht geeilt | |
Kent Olofsson |
– Treccia |
Toru Takemitsu |
– And then I knew 'twas wind |
Jaques Ibert |
– Pièce |
Heinz Holliger |
– Sequenzen über Johannes 1:32 |
Howard Blake |
– Prelude |
Claude Debussy |
– Sonat |
Review in Lerums Tidning February 3, 1999
Gageego!, Lars Linge
“… The name Gageego! is always followed by an exclamation mark. Now we
understand
why. The performance of the group implies a signal,
a greeting and
an invitation
to listen to more music of our own time.
We follow them with pleasure!”
18 March 1999
Nefertiti, Göteborg
Iannis Xenakis |
– from Rebonds |
18 April 1999
Stenhammarsalen, Göteborgs Konserthus
Conductor Pierre-André Valade
Philippe Leroux |
– AAA |
Ivan Fedele |
– Correnti Alternate |
Pierre Boulez |
– Dèrive |
Igor Stravinskij |
– Svit from Histoire du soldat |
Review in Göteborgs-Posten April 19, 1999 ![]()
Conclusion played with zest, Håkan Dahl
“… absolutely fresh pieces by the side of the modern classics, but with the
common denominator zestful playing …”
“… when the leading voices are handled so elegantly by Øyvor Volle
and
Bengt
Danielsson,
just lean back and enjoy” (from “Histoire du soldat")
24 April 1999
Artisten, Göteborg
Conductor Jerker Johansson
Max Blomgren |
– Fall breaks and back to winter |
Malin Redvall |
– Veloppdragne pikeskritt |
Janne Olofsson |
– Scener vid in/utgång |
Alf-Christer Hågedal |
– Relief |
J Fredric Bergström |
– The doctor's hat-fed the cat |
3 October 1999
Stenhammarsalen, Göteborgs Konserthus, the GAS-festival
Conductor Staffan Larson
Anders Hultqvist |
– Composition No 3 |
| (Among travelling Angels) | |
Fredrik Ed |
– Drift |
Akell Másson |
– Elja |
Tristan Murail |
– Desintegrations |
Review in Göteborgs-Posten October 4, 1999 ![]()
Eric Rusch
”Those who are interested in contemporary music should keep their eyes,
or rather their ears, open for Gageego! It is a group of very experienced
and skilled musicians from Gothenburg …”
6 November 1999
Stadsteaterns foajé, Göteborg
Mauricio Kagel |
– from Rrrrrrr... 6 Schlagzeugduos |
21 November 1999
Kulturverket, Halmstad
James Tenney |
– Having never written a note for |
| percussion before | |
John Cage |
– Forever and Sunsmell |
Paul Hindemith |
– from Sonat opus 11 nr 5 |
| – Lebhabt aber nicht geeilt | |
| – Messig schnell | |
Nicholas A Huber |
– Töner suchen eine Autor |
Arne Mellnäs |
– Omnia tempus habent |
John Cage |
– Dream |
Iannis Xenakis |
– Rebonds sats 1 |
Petr Eben |
– Lieblose Lieder |